{"id":8964,"date":"2019-08-31T15:03:52","date_gmt":"2019-08-31T21:03:52","guid":{"rendered":"http:\/\/2toneroom.co\/?p=8964"},"modified":"2023-05-24T13:58:39","modified_gmt":"2023-05-24T18:58:39","slug":"el-talento-fenomenal-de-delroy-wilson","status":"publish","type":"post","link":"https:\/\/2toneroom.net\/?p=8964","title":{"rendered":"El talento fenomenal de Delroy  Wilson"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Delroy Wilson<\/strong> fue uno de los vocalistas m\u00e1s conmovedores de Jamaica, y durante una carrera de 40 a\u00f1os, el cantante desencaden\u00f3 una avalancha de \u00e9xitos y una multitud de obras maestras.<\/p>\n<p style=\"text-align: justify;\"><em><strong>Si te agradan est\u00e1s rese\u00f1as motivamos a seguir con ellas, comparte y difunde la m\u00fasica jamaicana.<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">Nacido el 5 de octubre de 1948 en Trenchtown, el talento de <strong>Wilson<\/strong> ser\u00eda su boleto para salir del ghetto, descubierto por el productor <strong>Coxsone Dodd<\/strong> en 1962 cambiar\u00eda el rumbo de la m\u00fasica jamaicana.<\/p>\n<p style=\"text-align: justify;\">Su primera grabaci\u00f3n para <strong>Coxsone<\/strong> fue &#8220;If I Had a Beautiful Baby&#8221; sin \u00e9xito, pero el productor continuo y el segundo tema que grabaron fue &#8220;Spit in the Sky&#8221;, y ese si fue un \u00e9xito para el sistema de sonido de <strong>Dodd<\/strong>.<\/p>\n<p style=\"text-align: justify;\">El tema fue compuesto personalmente por Dodd contra su rival <strong>Prince Buster.<\/strong><\/p>\n<p style=\"text-align: justify;\">La batalla del los 45&#8217;s continuo con temas como, &#8220;Prince Pharaoh&#8221; y &#8220;I Shall Not Remove&#8221;, este \u00faltimo fue el nombre del \u00e1lbum debut de <strong>Wilson<\/strong> en 1966, tambi\u00e9n grabo el proto-Rasta &#8220;Lion of Judah&#8221;.<\/p>\n<p style=\"text-align: justify;\">En la era del Ska, la sensaci\u00f3n del adolescente estrella tenia varios \u00e9xitos dentro de la lista de popularidad <strong>Dodd<\/strong> sabia que llegar\u00eda a la pubertad y su voz se rompiera entonces decidi\u00f3 producirle el tema &#8220;Dancing Mood&#8221; adaptaci\u00f3n de <strong>Los Tams, <\/strong>la canci\u00f3n fue un \u00e9xito, y sigui\u00f3 siendo una de las favoritas de los fan\u00e1ticos hasta la fecha, lo que llev\u00f3 al cantante a volver a grabar la canci\u00f3n varias veces en los \u00faltimas d\u00e9cadas.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/SsagvhDlL2A?controls=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center><center><\/center><\/p>\n<p style=\"text-align: justify;\">Al final de su adolescencia, el cantante estaba ofreciendo grabaciones emocionales y conmovedoras que definir\u00edan su trabajo para adultos. Fue en este punto que en 1967, <strong>Wilson<\/strong> se separ\u00f3 de <strong>Dodd<\/strong> y uni\u00f3 fuerzas con el productor <strong>Bunny Lee<\/strong>y como resultado\u00a0un mont\u00f3n de grabaciones notables, incluyendo &#8220;This Old Heart of Mind&#8221;, antes de que el cantante regresara a <strong>Studio One<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Sin embargo, al a\u00f1o siguiente, <strong>Wilson<\/strong> volvi\u00f3 a abandonar a <strong>Dodd<\/strong> y lanz\u00f3 el sello <strong>W&amp;C<\/strong> con su compa\u00f1ero cantante <strong>Wilburn Cole<\/strong>. La etiqueta se inaugur\u00f3 con el solo de Wilson &#8220;Once Upon a Time&#8221; y el d\u00fao &#8220;I Want to Love You&#8221;. Ambos fueron temas fabulosos, pero no pudieron salvar a <strong>W&amp;C<\/strong> y como la mayor\u00eda de Studios Jamaicanos por artistas jamaicanos, la empresa fracas\u00f3. La etiqueta de <strong>Links<\/strong> sufri\u00f3 el mismo destino. Esta fue una empresa a\u00fan m\u00e1s extravagante, lanzada ese mismo a\u00f1o por <strong>Wilson<\/strong>,<strong> Ken Boothe<\/strong>,<strong> Gaylads <\/strong>y <strong>Melodians<\/strong>. Tambi\u00e9n lanz\u00f3 solo una peque\u00f1a cantidad de singles, incluido el fabuloso &#8220;Give Love a Try&#8221; de Wilson.<\/p>\n<p style=\"text-align: justify;\">Antes de que terminara el a\u00f1o, todo el equipo de <strong>Links<\/strong> se hab\u00eda mudado en masa al estudio de la productora <strong>Sonia Pottinger<\/strong>. All\u00ed Wilson lanz\u00f3 otra corriente de singles cl\u00e1sicos, incluido el gran \u00e9xito &#8220;Put Yourself in My Place&#8221;. Sin embargo, incluso con este \u00e9xito, el cantante permaneci\u00f3 inquieto y se uni\u00f3 brevemente con el nuevo productor <strong>Keith Hudson<\/strong> para una grabaci\u00f3n fenomenal de &#8220;Run Run&#8221;, retitulada &#8220;I&#8217;m Gonna Get You&#8221;. Posteriormente se mudo junto con sus antiguos compatriotas del sello <strong>Links<\/strong> con el productor <strong>Leslie Kong<\/strong>.<br \/>\nOtras magn\u00edficas canciones que Wilson grab\u00f3 &#8220;Show Me the Way&#8221; y la efervescente &#8220;Gave You My Love&#8221;.<\/p>\n<p style=\"text-align: justify;\">1970 vio la primera gira del artista por el Reino Unido, donde tambi\u00e9n grab\u00f3 una serie de canciones para <strong>Trojan Records<\/strong>. De vuelta en Jamaica, <strong>Wilson<\/strong> continu\u00f3 trabajando con una variedad de productores, incluido su antiguo mentor <strong>Coxsone Dodd.<\/strong><\/p>\n<p style=\"text-align: justify;\">En 1971, Wilson y Lee lanzaron &#8220;Better Must Come&#8221;, fue el tema de campa\u00f1a utilizado por el Partido Nacional del Pueblo, el tema ayud\u00f3 a barrer al PNP en la victoria electoral, <strong>Wilson<\/strong> uso el tema como titulo de su pr\u00f3ximo \u00e1lbum tambi\u00e9n otro tema de exitoso de fue &#8220;Cool Operator&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>Wilson<\/strong> continu\u00f3 grabando pr\u00e1cticamente para la segunda era de productores, <strong>Bunny Lee<\/strong>, <strong>Sonia Pottinger<\/strong>, <strong>Keith Hudson<\/strong>, <strong>Niney Holmes<\/strong>, <strong>Joe Gibbs<\/strong>, <strong>Gusie Clarke<\/strong>, <strong>Lee Perry<\/strong>, etc.<\/p>\n<p style=\"text-align: justify;\">En 1976, grab\u00f3 una versi\u00f3n de &#8220;I&#8217;m Still Waiting&#8221; de <strong>The Wailers<\/strong> para el productor <strong>Lloyd Charmers<\/strong>, que fue muy popular, seguido por el \u00e1lbum &#8220;Sarge&#8221;, que es considerado uno de los mejores \u00e1lbumes grabados, tambi\u00e9n una canci\u00f3n producida por <strong>Bob Andy<\/strong>, &#8220;The Last Thing on My Mind&#8221; lo subi\u00f3 nuevamente al n\u00famero uno en Jamaica. <strong>Wilson<\/strong> continu\u00f3 teniendo \u00e9xito hasta el final de la d\u00e9cada, pero su carrera fracas\u00f3 a principios de la d\u00e9cada de 1980, con lanzamientos menos comunes.<\/p>\n<p style=\"text-align: justify;\">Su fortuna revivi\u00f3 en la era digital con los lanzamientos de <strong>King Jammy<\/strong> (&#8220;Don&#8217;t Put The Blame on Me&#8221;) y <strong>Bunny Lee<\/strong> (&#8220;Ease Up&#8221;) pero volvi\u00f3 a salir del centro de atenci\u00f3n, por su salud que iba en declive, y es mejor recordado por su carrera musical.<\/p>\n<p style=\"text-align: justify;\"><strong>Delroy Wilson<\/strong> muri\u00f3 a la edad de 46 a\u00f1os el 6 de marzo de 1995 en el hospital UWI de Kingston, por complicaciones de cirrosis hep\u00e1tica .<\/p>\n<h3 style=\"text-align: justify;\"><em><strong>Datos Curiosos :<\/strong><\/em><\/h3>\n<p style=\"text-align: justify;\">Wilson hace referencia a <strong>The Clash<\/strong> en su canci\u00f3n de 1978 &#8220;(White Man) In Hammersmith Palais&#8221;.<\/p>\n<p style=\"text-align: justify;\">En 2013, Wilson fue galardonado p\u00f3stumamente con la Orden de Distinci\u00f3n por el Gobierno de Jamaica.<\/p>\n<p style=\"text-align: justify;\">En 2015, el amigo de la infancia de Wilson, <strong>Everard &#8220;Jah Ruby&#8221; Metcalf<\/strong> lanz\u00f3 el \u00e1lbum &#8220;<strong>The Delroy Wilson Story&#8221;<\/strong>, con 21 versiones de las canciones de Wilson.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class='heateorSssClear'><\/div><div  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2.79c.75.747 1.12 1.66 1.12 2.737 0 1.105-.392 2.045-1.183 2.817l1.186 1.186c.774-.79 1.708-1.186 2.805-1.186 1.078 0 1.995.377 2.75 1.132l2.804 2.804c.754.755 1.13 1.672 1.13 2.75z\"\/><\/svg><\/span><\/a><a class=\"heateor_sss_more\" aria-label=\"More\" title=\"More\" rel=\"nofollow noopener\" style=\"font-size: 32px!important;border:0;box-shadow:none;display:inline-block!important;font-size:16px;padding:0 4px;vertical-align: middle;display:inline;\" href=\"https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F8964\" onclick=\"event.preventDefault()\"><span class=\"heateor_sss_svg\" style=\"background-color:#ee8e2d;width:30px;height:30px;border-radius:999px;display:inline-block!important;opacity:1;float:left;font-size:32px!important;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;display:inline;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box;\" onclick=\"heateorSssMoreSharingPopup(this, 'https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F8964', 'El%20talento%20fenomenal%20de%20Delroy%20%20Wilson', '' )\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" viewBox=\"-.3 0 32 32\" version=\"1.1\" width=\"100%\" height=\"100%\" style=\"display:block;border-radius:999px;\" xml:space=\"preserve\"><g><path fill=\"#fff\" d=\"M18 14V8h-4v6H8v4h6v6h4v-6h6v-4h-6z\" fill-rule=\"evenodd\"><\/path><\/g><\/svg><\/span><\/a><\/div><div class=\"heateorSssClear\"><\/div><\/div><div class='heateorSssClear'><\/div><p>Delroy Wilson fue uno de los vocalistas m\u00e1s conmovedores de Jamaica, y durante una carrera de 40 a\u00f1os, el cantante desencaden\u00f3 una avalancha de \u00e9xitos y una multitud de obras maestras. Si te agradan est\u00e1s rese\u00f1as motivamos a seguir con ellas, comparte y difunde la\u2026<\/p>\n","protected":false},"author":510,"featured_media":8965,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[281],"tags":[282],"class_list":["post-8964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biografias","tag-delroy-wilson"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/posts\/8964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/users\/510"}],"replies":[{"embeddable":true,"href":"https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8964"}],"version-history":[{"count":4,"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/posts\/8964\/revisions"}],"predecessor-version":[{"id":10130,"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/posts\/8964\/revisions\/10130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2toneroom.net\/index.php?rest_route=\/wp\/v2\/media\/8965"}],"wp:attachment":[{"href":"https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2toneroom.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}